Dhadkan, which was released in the year 2000, was intended to be a great love drama that included Akshay Kumar, Suniel Shetty, and Shilpa Shetty as the main characters. The picture has aged like milk in the summer sun, despite the fact that it was a commercial triumph at the time it was introduced. As a result of its over-the-top acting, melodramatic language, and a plot that could make a soap opera appear more subdued, Dhadkan has become an excellent illustration of what should not be re-released. In this essay, we delve into the cringe-worthy moments, the antiquated storytelling, and the constant emotional overacting that transform Dhadkan into a laughing stock rather than a classic in the modern era.