Look, musicals are supposed to be fun. Even when they deal with tragic themes, they have some kind of rhythm, pace, and joy in the craft. Les Misérables gave us revolution in song, Chicago gave us murder with jazz hands, and La La Land gave us, well, a massive fight over who really deserved that Oscar. But Joker: Folie à Deux gives us musical numbers that feel like a sad clown stumbled into a jazz club and decided to ruin everyone’s evening.