Once a shining light in Bollywood’s firmament, Nawazuddin Siddiqui’s career path has declined recently. Celebrated for his outstanding performances in films including “Gangs of Wasseypur” and “The Lunchbox,” Siddiqui changed the definition of the main man in Indian film. But his most recent projects, “Tiku Weds Sheru” and “Haddi,” have failed viewers or critics, which has reduced his cinematic profile. Examining the quality of screenplays, casting decisions, industry trends, and the effect of personal controversies on his public image, this paper explores the elements causing this drop. It also considers possible routes Siddiqui’s comeback amid the changing Bollywood scene would go.